CLASS DESCRIPTION

Like most occultists of the twentieth century, occultist and surrealist Ithell Colquhoun was deeply interested in the intersections of spirituality and science, believing that the scientific advancements relating to the invisible world (X rays, radio waves, atomic theory) would prove the existence of spiritual planes and dimensions. From 1939-1942, as World War Two was raging, Colquhoun’s own magical and artistic practice was focused on an animistic notion of vitality, theorizing about the ways in which bodies and the earth held, and transferred energy. Through her wildly colorful landscape studies and a bold series of works devoted to sacred sexuality, Colquhoun explored how humans could connect to the divine through learning to direct the energy currents in their own bodies and through engaging with ancient sacred sites. Perhaps she believed that society could overcome its divisions through an integration with the sacred, fueled by energy from the portals of sacred landscapes and individuals’ elevated connections with one another as they embraced the potential to access dimensions more peaceful and enlightened than the unstable world around them.

This richly illustrated talk unpacks the occultural context and the embrace of empiricism that informed Colquhoun’s ideas about vital energies, followed by the ways in which Colquhoun explored union with the divine through sex magic and encounters with sacred sites. This explicit and revealing body of work theorizes the operationalization of women’s pleasure, the transcendence of gender and the activation of prehistoric megalithic monuments, all powered by the ability to harness and direct the electromagnetic currents that were the keys to ancient spiritual technologies, and that Colquhoun believed had the potential to heal humanity.

ABOUT OUR LECTURER

Amy Hale is an Atlanta based writer and critic with a PhD in Folklore and Mythology from UCLA. Her research interests include contemporary magical practice and history, art, culture, women and Cornwall. She has written widely on artist and occultist Ithell Colquhoun, and has been an academic advisor to the 2025 Colquhoun retrospective at Tate St. Ives and Tate Britain. She wrote the first scholarly biography of Colquhoun, Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor, 2020) followed by the collection Sex Magic: Diagrams of Love, (Tate Publishing, 2024), and A Walking Flame: Selected Magical Essays of Ithell Colquhoun (Strange Attractor 2025). She is also the editor of the groundbreaking collection Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has written extensively on magic and contemporary art for Tate, Burlington Contemporary, Art UK, The Australian Centre for Contemporary Art, Correspondences Journal and other institutions. She is an Honorary Research Fellow with Falmouth University in Cornwall, a trustee of the UK Charity Rediscovering Art by Women (RAW) and a member of the British Art Network. Beyond the Supernatural: Magic in Contemporary Art is due to be published with Tate Publishing in 2026.

INSTAGRAM: @amyhale93
SUBSTACK: @chasingthesupersensual
WEBSITE: www.amyhale.me

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This is a recording of a live session hosted by The Feminist Lecture Program in July 2025. The reading list for the class can be found alongside this rental.

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Happy watching!
FLP x

CLASS DESCRIPTION

Like most occultists of the twentieth century, occultist and surrealist Ithell Colquhoun was deeply interested in the intersections of spirituality and science, believing that the scientific advancements relating to the invisible world (X rays, radio waves, atomic theory) would prove the existence of spiritual planes and dimensions. From 1939-1942, as World War Two was raging, Colquhoun’s own magical and artistic practice was focused on an animistic notion of vitality, theorizing about the ways in which bodies and the earth held, and transferred energy. Through her wildly colorful landscape studies and a bold series of works devoted to sacred sexuality, Colquhoun explored how humans could connect to the divine through learning to direct the energy currents in their own bodies and through engaging with ancient sacred sites. Perhaps she believed that society could overcome its divisions through an integration with the sacred, fueled by energy from the portals of sacred landscapes and individuals’ elevated connections with one another as they embraced the potential to access dimensions more peaceful and enlightened than the unstable world around them.

This richly i